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1. Ch'ien / The Creative |
above: CH'IEN THE CREATIVE, HEAVEN below: CH'IEN THE CREATIVE, HEAVEN |
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The first hexagram is made up of six unbroken lines. These unbroken lines stand for the primal power, which is light-giving, active, strong, and of the spirit.
The power represented by the hexagram is to be interpreted in a dual sense in terms of its action on the universe and of its action on the world of men.
According to the original meaning, the attributes [sublimity, potentiality of success, power to further, perseverance] are paired.
The specific meanings of the four attributes became the subject of speculation at an early date.
The beginning of all things lies still in the beyond in the form of ideas that have yet to become real.
Applied to the human world, these attributes show the great man the way to notable success:
The act of creation having found expression in the two attributes sublimity and success, the work of conservation is shown to be a continuous actualization and differentiation of form. This is expressed in the two terms:
In relation to the human sphere, this shows how the great man brings peace and security to the world through his activity in creating order:
Another line of speculation goes still further in separating the words "sublime," "success," "furthering," "perseverance," and parallels them with the four cardinal virtues in humanity.
These speculations, already broached in the commentary called Wên Yen,6 later formed the bridge connecting the philosophy of the "five stages (elements) of change," as laid down in the Book of History (Shu Ching) with the philosophy of the Book of Changes, which is based solely on the polarity of positive and negative principles. In the course of time this combination of the two systems of thought opened the way for an increasingly intricate number symbolism.7
Since there is only one heaven, the doubling of the trigram Ch'ien, of which heaven is the image, indicates the movement of heaven.
With this image as a model, the sage learns how best to develop himself so that his influence may endure.
In China the dragon has a meaning altogether different from that given it in the Western world.
Here this creative force is still hidden beneath the earth and therefore has no effect.
Here the effects of the light-giving power begin to manifest themselves.
However, what distinguishes him from the others is his seriousness of purpose, his unqualified reliability, and the influence he exerts on his environment without conscious effort.
A sphere of influence opens up for the great man. His fame begins to spread. The masses flock to him. His inner power is adequate to the increased outer activity.9
However, true greatness is not impaired by temptations. He who remains in touch with the time that is dawning, and with its demands, is prudent enough to avoid all pitfalls, and remains blameless.
A place of transition has been reached, and free choice can enter in. A twofold possibility is presented to the great man:
There is no general law to say which of the two is the right way.
Here the great man has attained the sphere of the heavenly beings.
Confucius says about this line:
When a man seeks to climb so high that he loses touch with the rest of mankind, he becomes isolated, and this necessarily leads to failure.
When all the lines are nines, it means that the whole hexagram is in motion and changes into the hexagram K'un, THE RECEPTIVE, whose character is devotion.
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2. K'un / The Receptive |
above: K'UN THE RECEPTIVE, EARTH below: K'UN THE RECEPTIVE, EARTH |
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This hexagram is made up of broken lines only. The broken line represents the dark, yielding, receptive primal power of yin.
But strictly speaking there is no real dualism here, because there is a clearly defined hierarchic relationship between the two principles.
The four fundamental aspects of the Creative — "sublime success, furthering through perseverance" — are also attributed to the Receptive.
Thus the qualification, "of a mare," is here added to the idea of perseverance.
Only because nature in its myriad forms corresponds with the myriad impulses of the Creative can it make these impulses real.
Applied to human affairs, therefore, what the hexagram indicates is action in conformity with the situation.
Since there is something to be accomplished, we need friends and helpers in the hour of toil and effort, once the ideas to be realized are firmly set.
But in addition to the time of toil and effort, there is also a time of planning, and for this we need solitude.
Just as there is only one heaven, so too there is only one earth.
The earth in its devotion carries all things, good and evil, without exception.
Just as the light-giving power represents life, so the dark power, the shadowy, represents death.
In life it is the same. After certain scarcely noticeable signs of decay have appeared, they go on increasing until final dissolution comes.
The symbol of heaven is the circle, and that of earth is the square.
In mathematics, when we discriminate between lines, planes, and solids, we find that rectangular planes result from straight lines, and cubic magnitudes from rectangular planes.
Nature creates all beings without erring: this is its straightness.
If a man is free of vanity he is able to conceal his abilities and keep them from attracting attention too soon; thus he can mature undisturbed.
The dark element opens when it moves and closes when at rest.2
Yellow is the color of the earth and of the middle; it is the symbol of that which is reliable and genuine.
In the top place the dark element should yield to the light.
When nothing but sixes appears, the hexagram of THE RECEPTIVE changes into the hexagram of THE CREATIVE.
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3. Chun / Difficulty at the Beginning |
above: K'AN THE ABYSMAL, WATER below: CHÊN THE AROUSING, THUNDER |
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The name of the hexagram, Chun, really connotes a blade of grass pushing against an obstacle as it sprouts out of the earth — hence the meaning, "difficulty at the beginning."
The lower trigram Chen is the Arousing; its motion is upward and its image is thunder. The upper trigram K'an stands for the Abysmal, the dangerous. Its motion is downward and its image is rain. The situation points to teeming, chaotic profusion; thunder and rain fill the air. But the chaos clears up.
Times of growth are beset with difficulties. They resemble a first birth.
When it is a man's fate to undertake such new beginnings, everything is still unformed, dark.
Clouds and thunder are represented by definite decorative lines; this means that in the chaos of difficulty at the beginning, order is already implicit.
If a person encounters a hindrance at the beginning of an enterprise, he must not try to force advance but must pause and take thought.
We find ourselves beset by difficulties and hindrances.
Using the image of a betrothed girl who remains true to her lover in face of grave conflicts, the hexagram gives counsel for a special situation.
If a man tries to hunt in a strange forest and has no guide, he loses his way. When he finds himself in difficulties he must not try to steal out of them unthinkingly and without guidance.
We are in a situation in which it is our duty to act, but we lack sufficient power. However, an opportunity to make connections offers itself.
An individual is in a position in which he cannot so express his good intentions that they will actually take shape and be understood.
The difficulties at the beginning are too great for some persons.
Therefore Confucius says of this line:
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4. Mêng / Youthful Folly |
above: KÊN KEEPING STILL, MOUNTAIN below: K'AN THE ABYSMAL, WATER |
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In this hexagram we are reminded of youth and folly1 in two different ways.
The spring rising at the foot of the mountain is the image of inexperienced youth.
However, the two trigrams also show the way of overcoming the follies of youth.
In the time of youth, folly is not an evil. One may succeed in spite of it, provided one finds an experienced teacher and has the right attitude toward him.
A teacher's answer to the question of a pupil ought to be clear and definite like that expected from an oracle; thereupon it ought to be accepted as a key for resolution of doubts and a basis for decision.
Given in addition a perseverance that never slackens until the points are mastered one by one, real success is sure to follow. Thus the hexagram counsels the teacher as well as the pupil.
A spring succeeds in flowing on and escapes stagnation by filling up all the hollow places in its path.
Law is the beginning of education. Youth in its inexperience is inclined at first to take everything carelessly and playfully.
hese lines picture a man who has no external power, but who has enough strength of mind to bear his burden of responsibility.
A weak, inexperienced man, struggling to rise, easily loses his own individuality when he slavishly imitates a strong personality of higher station.
For youthful folly it is the most hopeless thing to entangle itself in empty imaginings.
An inexperienced person who seeks instruction in a childlike and unassuming way is on the right path, for the man devoid of arrogance who subordinates himself to his teacher will certainly be helped.
Sometimes an incorrigible fool must be punished. He who will not heed will be made to feel.
This applies not only in regard to education but also in regard to the measures taken by a government against a populace guilty of transgressions.
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5. Hsü / Waiting (Nourishment) |
above: K'AN THE ABYSMAL, WATER below: CH'IEN THE CREATIVE, HEAVEN |
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All beings have need of nourishment1 from above. But the gift of food comes in its own time, and for this one must wait.
Strength in the face of danger does not plunge ahead but bides its time,
Waiting is not mere empty hoping. It has the inner certainty of reaching the goal.
One is faced with a danger that has to be overcome. Weakness and impatience can do nothing.
This recognition must be followed by resolute and persevering action.
When clouds rise in the sky, it is a sign that it will rain. There is nothing to do but to wait until the rain falls.
The danger is not yet close. One is still waiting on the open plain.
The danger gradually comes closer. Sand is near the bank of the river, and the water means danger. Disagreements crop up.
Mud is no place for waiting, since it is already being washed by the water of the stream.
Such an unfavorable position invites enemies from without, who naturally take advantage of it.
The situation is extremely dangerous. It is of utmost gravity now — a matter of life and death. Bloodshed seems imminent.
Even in the midst of danger there come intervals of peace when things go relatively well.
This is true in public life as well; it is not possible to achieve everything all at once.
The waiting is over; the danger can no longer be averted. One falls into the pit and must yield to the inevitable. Everything seems to have been in vain.
At first one cannot be sure of its meaning: is it rescue or is it destruction?
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6. Sung / Conflict |
above: CH'IEN THE CREATIVE, HEAVEN below: K'AN THE ABYSMAL, WATER |
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The upper trigram, whose image is heaven, has an upward movement;
The attribute of the Creative is strength, that of the Abysmal is danger, guile.
A third indication of conflict, in terms of character, is presented by the combination of deep cunning within and fixed determination outwardly.
Conflict develops when one feels himself to be in the right and runs into opposition.
If a man is entangled in a conflict, his only salvation lies in being so clear-headed and inwardly strong that he is always ready to come to terms by meeting the opponent halfway.
The image indicates that the causes of conflict are latent in the opposing tendencies of the two trigrams. Once these opposing tendencies appear, conflict is inevitable.
While a conflict is in the incipient stage, the best thing to do is to drop the issue.
In a struggle with an enemy of superior strength, retreat is no disgrace. Timely withdrawal prevents bad consequences.
This is a warning of the danger that goes with an expansive disposition.
If one enters the service of a superior, one can avoid conflict only by not seeking works for the sake of prestige.
This refers to a person whose inner attitude at first lacks peace. He does not feel content with his situation and would like to improve it through conflict.
This refers to an arbiter in a conflict who is powerful and just, and strong enough to lend weight to the right side.
Here we have someone who has carried a conflict to the bitter end and has triumphed.
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7. Shih / The Army |
above: K'UN THE RECEPTIVE, EARTH below: K'AN THE ABYSMAL, WATER |
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This hexagram is made up of the trigrams K'an, water, and K'un, earth, and thus it symbolizes the ground water stored up in the earth.
The attributes of the two trigrams are danger inside and obedience outside.
Of the individual lines, the one that controls the hexagram is the strong nine in the second place, to which the other lines, all yielding, are subordinate.
An army is a mass that needs organization in order to become a fighting force.
It requires a strong man who captures the hearts of the people and awakens their enthusiasm.
But war is always a dangerous thing and brings with it destruction and devastation.
The justifying cause of a war, and clear and intelligible war aims, ought to be explained to the people by an experienced leader.
Ground water is invisibly present within the earth. In the same way the military power of a people is invisibly present in the masses.
He who is generous toward the people wins their love, and a people living under a mild rule becomes strong and powerful. Only a people economically strong can be important in military power.
At the beginning of a military enterprise, order is imperative.
The leader should be in the midst of his army, in touch with it, sharing good and bad with the masses he leads.
He needs also the recognition of the ruler.
Here we have a choice of two explanations.
At burials and at sacrifices to the dead it was customary in China for the deceased to whom the sacrifice was made to be represented by a boy of the family, who sat in the dead man's place and was honored as his representative.
Perhaps the whole difficulty clears up if it is inferred that there has been an error in copying.
In face of a superior enemy, with whom it would be hopeless to engage in battle, an orderly retreat is the only correct procedure, because it will save the army from defeat and disintegration.
Game is in the field — it has left its usual haunts in the forest and is devastating the fields. This points to an enemy invasion.
The army must be directed by an experienced leader.
The war has ended successfully, victory is won, and the king divides estates and fiefs among his faithful vassals.
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8. Pi / Holding Together [Union] |
above: K'AN THE ABYSMAL, WATER below: K'UN THE RECEPTIVE, EARTH |
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The waters on the surface of the earth flow together wherever they can, as for example in the ocean, where all the rivers come together.
The same idea is suggested by the fact that all the lines of the hexagram except the fifth, the place of the ruler, are yielding.
What is required is that we unite with others, in order that all may complement and aid one another through holding together.
To become a center of influence holding people together is a grave matter and fraught with great responsibility.
But when there is a real rallying point, those who at first are hesitant or uncertain gradually come in of their own accord.
If a man has recognized the necessity for union and does not feel strong enough to function as the center, it is his duty to become a member of some other organic fellowship.
Water fills up all the empty places on the earth and clings fast to it.
Water flows to unite with water, because all parts of it are subject to the same laws.
Fundamental sincerity is the only proper basis for forming relationships.
If a person responds perseveringly and in the right way to the behests from above that summon him to action, his relations with others are intrinsic and he does not lose himself.
We are often among people who do not belong to our own sphere.
Needless to say, this would have evil consequences.
Here the relations with a man who is the center of union are well established.
In the royal hunts of ancient China it was customary to drive up the game from three sides, but on the fourth the animals had a chance to run off.
There is depicted here a ruler, or influential man, to whom people are attracted.
In this way there develops a voluntary dependence among those who hold to him.
The same principle of freedom is valid for life in general.
The head is the beginning. If the beginning is not right, there is no hope of a right ending.
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9. Hsiao Ch'u / The Taming Power of the Small |
above: SUN THE GENTLE, WIND, WOOD below: CH'IEN THE CREATIVE, HEAVEN |
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This hexagram means the force of the small — the power of the shadowy — that restrains, tames, impedes.
In the Image it is the wind blowing across the sky.
The hexagram presents a configuration of circumstances in which a strong element is temporarily held in leash by a weak element.
This image refers to the state of affairs in China at the time when King Wen, who came originally from the west, was in the east at the court of the reigning tyrant Chou Hsin.
The situation is not unfavorable; there is a prospect of ultimate success, but there are still obstacles in the way, and we can merely take preparatory measures.
To carry out our purpose we need firm determination within and gentleness and adaptability in external relations.
The wind can indeed drive the clouds together in the sky; yet, being nothing but air, without solid body, it does not produce great or lasting effects.
It lies in the nature of a strong man to press forward. In so doing he encounters obstructions.
One would like to press forward, but before going farther one sees from the example of others like oneself that this way is blocked.
Here an attempt is made to press forward forcibly, in the consciousness that the obstructing power is slight.
Naturally this is not a favorable state of things, for though the situation may enable the weaker side to hold its ground, the difficulties are too numerous to permit of a happy result.
If one is in the difficult and responsible position of counselor to a powerful man, one should restrain him in such a way that right may prevail.
Loyalty leads to firm ties because it means that each partner complements the other.
This relation of mutual reinforcement leads to a true wealth that is all the more apparent because it is not selfishly hoarded but is shared with friends.
Success is at hand. The wind has driven up the rain. A fixed standpoint has been reached.
But a success thus secured bit by bit calls for great caution. It would be a dangerous illusion for anyone to think he could presume upon it.
Under such circumstances one must be content with what has been achieved.
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10. Lü / Treading [Conduct] |
above: CH'IEN THE CREATIVE, HEAVEN below: TUI THE JOYOUS, LAKE |
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The name of the hexagram means on the one hand the right way of conducting oneself.
On the other hand, the word for the name of the hexagram, TREADING,1 means literally treading upon something.
The fact that the strong treads on the weak is not mentioned in the Book of Changes, because it is taken for granted.
The situation is really difficult. That which is strongest and that which is weakest are close together.
In terms of a human situation, one is handling wild, intractable people.
Heaven and the lake show a difference of elevation that inheres in the natures of the two, hence no envy arises.
But it is important that differences in social rank should not be arbitrary and unjust, for if this occurs, envy and class struggle are the inevitable consequences.
The situation is one in which we are still not bound by any obligations of social intercourse.
The meaning of the hexagram is not standstill but progress.
When a man is dissatisfied with modest circumstances, he is restless and ambitious and tries to advance, not for the sake of accomplishing anything worth while, but merely in order to escape from lowliness and poverty by dint of his conduct.
On the other hand, a man who is good at his work is content to behave simply.
The situation of a lonely sage is indicated here.
A one-eyed man can indeed see, but not enough for clear vision. A lame man can indeed tread, but not enough to make progress.
This text refers to a dangerous enterprise.
This line contrasts with the preceding line, which is weak within but outwardly presses forward.
This refers to the ruler of the hexagram as a whole. One sees that one has to be resolute in conduct.
The work is ended. If we want to know whether good fortune will follow, we must look back upon our conduct and its consequences.
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11. T'ai / Peace |
above: K'UN THE RECEPTIVE, EARTH below: CH'IEN THE CREATIVE, HEAVEN |
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The Receptive, which moves downward, stands above; the Creative, which moves upward, is below.
This hexagram belongs to the first month (February-March), at which time the forces of nature prepare the new spring.
This hexagram denotes a time in nature when heaven seems to be on earth.
In the world of man it is a time of social harmony;
Inside, at the center, in the key position, is the light principle; the dark principle is outside.
The individual lines enter the hexagram from below and leave it again at the top.
Heaven and earth are in contact and combine their influences, producing a time of universal flowering and prosperity.
It is done by a process of division.
On the other hand, nature must be furthered in her productiveness.
In times of prosperity every able man called to fill an office draws like-minded people along with him, just as in pulling up ribbon grass one always pulls up a bunch of it, because the stalks are connected by their roots.
In times of prosperity it is important above all to possess enough greatness of soul to bear with imperfect people.
It is during times of prosperity especially that we must always be ready to risk even dangerous undertakings, such as the crossing of a river, if they are necessary.
These are four ways in which one can overcome the hidden danger of a gradual slackening that always lurks in any time of peace.
Everything on earth is subject to change. Prosperity is followed by decline: this is the eternal law on earth.
This conviction might induce melancholy, but it should not; it ought only to keep us from falling into illusion when good fortune comes to us.
In times of mutual confidence, people of high rank come in close contact with the lowly quite simply and without boasting of their wealth.
The sovereign I is Tang the Completer.1
The change alluded to in the middle of the hexagram has begun to take place.
The one recourse left us is to hold our own within our intimate circle.
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12. P'i / Standstill [Stagnation] |
above: CH'IEN THE CREATIVE, HEAVEN below: K'UN THE RECEPTIVE, EARTH |
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This hexagram is the opposite of the preceding one.
The creative powers are not in relation. It is a time of standstill and decline.
Heaven and earth are out of communion and all things are benumbed. What is above has no relation to what is below, and on earth confusion and disorder prevail.
But the superior people do not allow themselves to be turned from their principles.
When, owing to the influence of inferior men, mutual mistrust prevails in public life, fruitful activity is rendered impossible, because the fundamentals are wrong.
The text is almost the same as that of the first line of the preceding hexagram, but with a contrary meaning.
If it becomes impossible to make our influence count, it is only by retirement that we spare ourselves humiliation.
Inferior people are ready to flatter their superiors in a servile way.
Inferior people who have risen to power illegitimately do not feel equal to the responsibility they have taken upon themselves.
The time of standstill is nearing the point of change into its opposite.
A man who sets himself up as capable of creating order according to his own judgment could make mistakes and end in failure.
he time undergoes a change. The right man, able to restore order, has arrived. Hence "Good fortune."
Success is assured only through greatest caution, which asks always, "What if it should fail?"
Confucius says about this line:
The standstill does not last forever. However, it does not cease of its own accord; the right man is needed to end it.
The time of disintegration, however, does not change back automatically to a condition of peace and prosperity; effort must be put forth in order to end it.
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13. Tung Jên / Fellowship with Men |
above: CH'IEN THE CREATIVE, HEAVEN below: LI THE CLINGING, FIRE |
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The image of the upper trigram Ch'ien is heaven, and that of the lower, Li, is flame.
This hexagram forms a complement to Shih, THE ARMY (7).
True fellowship among men must be based upon a concern that is universal.
If unity of this kind prevails, even difficult and dangerous tasks, such as crossing the great water, can be accomplished.
Heaven has the same direction of movement as fire, yet it is different from fire.
Fellowship should not be a mere mingling of individuals or of things — that would be chaos, not fellowship.
The beginning of union among people should take place before the door.
There is danger here of formation of a separate faction on the basis of personal and egotistic interests.
Here fellowship has changed about to mistrust.
Obstacles standing in the way of fellowship with others are shown here.
Here the reconciliation that follows quarrel moves nearer.
Two people are outwardly separated, but in their hearts they are united. They are kept apart by their positions in life.
Confucius says of this:
The warm attachment that springs from the heart is lacking here.
The meadow is the pasture at the entrance to the town.
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14. Ta Yu / Posession in Great Measure |
above: LI THE CLINGING, FIRE below: CH'IEN THE CREATIVE, HEAVEN |
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The fire in heaven above shines far, and all things stand out in the light and become manifest.
All things come to the man who is modest and kind in a high position.1
The two trigrams indicate that strength and clarity unite.
How is it possible that the weak line has power to hold the strong lines fast and to possess them?
The time is favorable — a time of strength within, clarity and culture without.
The sun in heaven above, shedding light over everything on earth, is the image of possession on a grand scale.
The sun brings both evil and good into the light of day.
Great possession that is still in its beginnings and that has not yet been challenged brings no blame, since there has been no opportunity to make mistakes.
Great possession consists not only in the quantity of goods at one's disposal, but, first and foremost, in their mobility and utility, for then they can be used in undertakings, and we remain free of embarrassment and mistakes.
A magnanimous, liberal-minded man should not regard what he possesses as his exclusive personal property, but should place it at the disposal of the ruler or of the people at large.
This characterizes the position of a man placed among rich and powerful neighbors.
The situation is very favorable. People are being won not by coercion but by unaffected sincerity, so that they are attached to us in sincerity and truth.
In the fullness of possession and at the height of power, one remains modest and gives honor to the sage who stands outside the affairs of the world.
Confucius says of this line:
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15. Ch'ien / Modesty |
above: K'UN THE RECEPTIVE, EARTH below: KÊN KEEPING STILL, MOUNTAIN |
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This hexagram is made up of the trigrams Ken, Keeping Still, mountain, and K'un.
K'un, the earth, stands above.
It is the law of heaven to make fullness empty and to make full what is modest.
It is the law of earth to alter the full and to contribute to the modest.
The destinies of men are subject to immutable laws that must fulfill themselves.
The wealth of the earth in which a mountain is hidden is not visible to the eye, because the depths are offset by the height of the mountain.
A dangerous enterprise, such as the crossing of a great stream, is made much more difficult if many claims and considerations have to be taken into account.
"Out of the fullness of the heart the mouth speaketh." When a man's attitude of mind is so modest that this expresses itself in his outward behavior, it is a source of good fortune to him.
This is the center of the hexagram, where its secret is disclosed.
Everything has its proper measure. Even modesty in behavior can be carried too far.
The confidence of the man in superior place must not be abused nor the merits of the man in inferior place concealed.
This is the opposite of what is meant here by modesty.
Modesty is not to be confused with weak good nature that lets things take their own course.
The measures taken should be purely objective and in no way personally offensive.
A person who is really sincere in his modesty must make it show in reality.
When enmity arises nothing is easier than to lay the blame on another.
Genuine modesty sets one to creating order and inspires one to begin by disciplining one's own ego and one's immediate circle.
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16. Yü / Enthusiasm |
above: CHÊN THE AROUSING, THUNDER below: K'UN THE RECEPTIVE, EARTH |
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The strong line in the fourth place, that of the leading official, meets with response and obedience from all the other lines, which are all weak.
This begins a movement that meets with devotion and therefore inspires enthusiasm, carrying all with it.
The time of ENTHUSIASM derives from the fact that there is at hand an eminent man who is in sympathy with the spirit of the people and acts in accord with it.
To arouse enthusiasm it is necessary for a man to adjust himself and his ordinances to the character of those whom he has to lead.
That is why the celestial bodies do not deviate from their orbits and why all events in nature occur with fixed regularity.
Again, it is enthusiasm that enables us to install helpers for the completion of an undertaking without fear of secret opposition.
When, at the beginning of summer, thunder — electrical energy — comes rushing forth from the earth again, and the first thunderstorm refreshes nature, a prolonged state of tension is resolved.
So too, music has power to ease tension within the heart and to loosen the grip of obscure emotions.
Rulers have made use of this natural taste for music; they elevated and regulated it.
Religious feeling for the Creator of the world was united with the most sacred of human feelings, that of reverence for the ancestors.
These ideas are the final summation of Chinese culture. Confucius has said of the great sacrifice at which these rites were performed:
A man in an inferior position has aristocratic connections about which he boasts enthusiastically.
Enthusiasm should never be an egotistic emotion;
This describes a person who does not allow himself to be misled by any illusions.
When the first sign of discord appears, he knows the right moment for withdrawing and does not delay even for a day.
Confucius says about this line:
This line is the opposite of the preceding one: the latter bespeaks self-reliance, while here there is enthusiastic looking up to a leader.
This describes a man who is able to awaken enthusiasm through his own sureness and freedom from hesitation.
Here enthusiasm is obstructed. A man is under constant pressure, which prevents him from breathing freely.
It is a bad thing for a man to let himself be deluded by enthusiasm.
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